The New Yorker acquires four more Stanford films
The New Yorker Video series has acquired four recent student films from Stanford's MFA Documentary Film Program, including:
Imagine a Body, Connor O’Keefe’s ('22) first year spring quarter film
“Imagine a Body” shares the testimonies of trans men about the process of entering the body they were meant to have. Read the story behind the film.
Drummies, Jessie Zinn's ('21) thesis film
In a New Yorker Documentary, Jessie Zinn shows life in post-apartheid South Africa, where three young women muse on their hopes and dreams as aspiring drum majorettes.
The Act of Coming Out, a first year spring quarter film by Alexandra Stergiou ('22)
In a documentary by Alexandra Stergiou, an audition reveals the range of emotions that accompany the acceptance of one's sexuality. Read the story behind the film.
Black Gold, Sydney Bowie Linden's ('21) thesis film.
In a documentary by Sydney Bowie Linden, a small-town oilman wonders how changing politics—around fossil fuels and beyond—will affect the community and business he knows. Read the story behind the film.
